我經常受周於鬱悶。鬱悶是沒有思想的思想，卻需要人們竭盡全力投入思想；是沒有感覺的感覺，卻攪得正常捲入的感覺痛苦不堪；是無所期待時的期待，並且受害於對這種無所期待的深深厭惡。 鬱悶....也許，基本上是一種在我們靈魂最深處有所不滿的表現，不是給予我們並且迫使我們相信的東西。它是我們所有人都深陷其中的孩子式的孤獨，也許是人們需要一隻援手來引導出路的不安，在感情深處的黑暗道路上無所意識的茫然，更是人們無能思考的寂靜夜晚，是人們無能感覺的荒蕪野道....。─費爾南多．佩索亞〈說鬱悶〉 佩索亞的經驗吻合現代偉大詩人的傳統，他的作品將讀者引領向未知之境。充滿熱情。─帕斯(Octavio Paz)，諾貝爾文學獎得主 無可否認，佩索亞對今天葡萄牙文學能受到外國文壇注目並產生了影響有決定性的作用，且這影響與作用將繼續....沒有任何葡萄牙作家能夠企及佩索亞的那種偉大。...(展开全部)

我經常受周於鬱悶。鬱悶是沒有思想的思想，卻需要人們竭盡全力投入思想；是沒有感覺的感覺，卻攪得正常捲入的感覺痛苦不堪；是無所期待時的期待，並且受害於對這種無所期待的深深厭惡。 鬱悶....也許，基本上是一種在我們靈魂最深處有所不滿的表現，不是給予我們並且迫使我們相信的東西。它是我們所有人都深陷其中的孩子式的孤獨，也許是人們需要一隻援手來引導出路的不安，在感情深處的黑暗道路上無所意識的茫然，更是人們無能思考的寂靜夜晚，是人們無能感覺的荒蕪野道....。─費爾南多．佩索亞〈說鬱悶〉 佩索亞的經驗吻合現代偉大詩人的傳統，他的作品將讀者引領向未知之境。充滿熱情。─帕斯(Octavio Paz)，諾貝爾文學獎得主 無可否認，佩索亞對今天葡萄牙文學能受到外國文壇注目並產生了影響有決定性的作用，且這影響與作用將繼續....沒有任何葡萄牙作家能夠企及佩索亞的那種偉大。...(展开全部)

Fernando Pessoa was many writers in one. The Portuguese author attributed his work to literary alter egos that he called "heteronyms," each of which had a fully developed identity. When Pessoa died, he left behind a trunk filled with disorderly scraps of unpublished poems and unfinished works, among which was The Book of Disquiet . Published for the first time some fifty years...(展开全部)

Fernando Pessoa was many writers in one. The Portuguese author attributed his work to literary alter egos that he called "heteronyms," each of which had a fully developed identity. When Pessoa died, he left behind a trunk filled with disorderly scraps of unpublished poems and unfinished works, among which was The Book of Disquiet . Published for the first time some fifty years...(展开全部)

The Book of Questions may be the only publication that challenges and changes the way readers view the world, without offering a single opinion of its own. Posing 265 questions, "The Book of Questions" is bound to provoke hours and hours of thought.

An insider's view of court life and culture during the Renaissance, here is the handiwork of a 16th-century diplomat who was called upon to resolve the differences in a war of etiquette among the Italian nobility. The ultimate resource on aristocratic manners, it remains the most definitive account of life among the Renaissance nobility.

Stewart Levine demonstrates the superiority of ''agreements for results'' versus ''agreements for protection'' and outlines ten principles for creating agreements that explicitly articulate desired outcomes and provide a roadmap to achieving them.

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。